{"id":1172,"date":"2024-04-23T16:57:47","date_gmt":"2024-04-23T14:57:47","guid":{"rendered":"https:\/\/pensarecomeunamontagna.gamec.it\/lin-may-saeed\/"},"modified":"2024-07-29T15:56:05","modified_gmt":"2024-07-29T13:56:05","slug":"lin-may-saeed","status":"publish","type":"post","link":"https:\/\/pensarecomeunamontagna.gamec.it\/en\/lin-may-saeed\/","title":{"rendered":"Lin May Saeed"},"content":{"rendered":"\n<section class=\"wp-block-evidenzio-columns\"><div class=\"container-fluid py-lg-5\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-8\">\n<p class=\"has-large-font-size\">Born in Germany to a German mother of Jewish origins and an Iraqi father, Lin May Saeed dedicated all her research to the world of animals and the relationships between human and non-human animals, developing a new iconography of interspecies solidarity.<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<section class=\"wp-block-evidenzio-columns\"><div class=\"container-fluid py-3\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-2\"><\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-8\">\n<p class=\"has-medium-font-size\">An activist for the defense of animals, in her \u201cworks of hope\u201d\u2014as she called them\u2014the artist does not resort to the depiction of suffering or the overt denunciation of human behavior, but largely dwelling on&nbsp;images of friendship and spaces of encounter and reconciliation between species. A hallmark of her research, in fact, is the absence of moral judgments and an attitude of empathy that permeates her graceful works. An example of this is the series&nbsp;<em>The Liberation of Animals from their Cages<\/em>, which depicts men intent on freeing animals from cages in which they are locked up.<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<section class=\"wp-block-evidenzio-columns slider_row\"><div class=\"container-fluid\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped _slider wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"694\" data-id=\"1836\" src=\"https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/04\/GAMeC_Lin-May-Saeed-014_Ph.-A.-Maniscalco-1024x694.jpg\" alt=\"\" class=\"wp-image-1836\" srcset=\"https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/04\/GAMeC_Lin-May-Saeed-014_Ph.-A.-Maniscalco-1024x694.jpg 1024w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/04\/GAMeC_Lin-May-Saeed-014_Ph.-A.-Maniscalco-300x203.jpg 300w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/04\/GAMeC_Lin-May-Saeed-014_Ph.-A.-Maniscalco-768x521.jpg 768w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/04\/GAMeC_Lin-May-Saeed-014_Ph.-A.-Maniscalco-1536x1041.jpg 1536w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/04\/GAMeC_Lin-May-Saeed-014_Ph.-A.-Maniscalco-2048x1389.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"720\" data-id=\"418\" src=\"https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/Lin-May-Saeed_Landscape-with-ant-hills-2021-1024x720.jpg\" alt=\"\" class=\"wp-image-418\" srcset=\"https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/Lin-May-Saeed_Landscape-with-ant-hills-2021-1024x720.jpg 1024w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/Lin-May-Saeed_Landscape-with-ant-hills-2021-300x211.jpg 300w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/Lin-May-Saeed_Landscape-with-ant-hills-2021-768x540.jpg 768w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/Lin-May-Saeed_Landscape-with-ant-hills-2021-1536x1080.jpg 1536w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/Lin-May-Saeed_Landscape-with-ant-hills-2021-2048x1439.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"751\" data-id=\"1838\" src=\"https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/04\/Lin-May-Saeed_Mureen-2016-1024x751.jpg\" alt=\"\" class=\"wp-image-1838\" srcset=\"https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/04\/Lin-May-Saeed_Mureen-2016-1024x751.jpg 1024w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/04\/Lin-May-Saeed_Mureen-2016-300x220.jpg 300w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/04\/Lin-May-Saeed_Mureen-2016-768x563.jpg 768w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/04\/Lin-May-Saeed_Mureen-2016-1536x1127.jpg 1536w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/04\/Lin-May-Saeed_Mureen-2016.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Screenshot<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<section class=\"wp-block-evidenzio-columns\"><div class=\"container-fluid py-3\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-2\"><\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-8\">\n<p class=\"has-medium-font-size\">Her practice, which ranges from&nbsp;sculpture&nbsp;to&nbsp;bas-relief, from&nbsp;drawing&nbsp;to&nbsp;cut&nbsp;paper, focuses on the production of works populated by&nbsp;animals of various geographical origins, and&nbsp;human figures from stories, fables and myths from ancient Mesopotamia\u2014such as the Epic of Gilgamesh\u2014or from the Christian and Islamic traditions\u2014such as the legend of the Seven Sleepers of Ephesus.<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<section class=\"wp-block-evidenzio-columns\"><div class=\"container-fluid py-2 py-lg-2\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-5\"><\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-7\">\n<p class=\"has-large-font-size\">With inspiration from these sources,&nbsp;Lin May Saeed creates cross-cultural and cross-species narratives, journeys through time that traverse history only to be projected into an alternative common future.<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<section class=\"wp-block-evidenzio-columns\"><div class=\"container-fluid py-3\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-2\"><\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-8\">\n<p class=\"has-medium-font-size\">Her favorite medium for the creation of her sculptures and bas-reliefs is&nbsp;Styrofoam, which the artist discovered during her university studies and never abandoned. Aware that the main component of Styrofoam is derived from petroleum, May Saeed firmly believed that this material could reveal something about the present and human fallibility, while appreciating its characteristics of lightness and manageability that enabled her to work completely independently even on a large scale.<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<section class=\"wp-block-evidenzio-columns boxed_section has-background\" style=\"background-color:#f3b2ff\"><div class=\"container py-5 py-lg-5\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-1\"><\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-7\">\n<p class=\"has-large-font-size\">As part of the\u00a0<em>Thinking Like a Mountain<\/em>\u00a0project, and in connection with the ninth edition of the\u00a0Biennale Gherd\u00ebina\u00a0curated by Lorenzo Giusti, the Lin May Saee retrospective is presented simultaneously in Bergamo and Ortisei, with an exhibition spreading between two venues so as to provide a\u00a0comprehensive overview of the work of the artist, who passed away in 2023.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-5\"><\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-6\">\n<p class=\"has-medium-font-size\">The installation in\u00a0GAMeC\u2019s Spazio Zero\u00a0focuses on animal figures\u2014including dogs, pangolins, panthers, hyenas, calves, and anteaters\u2014and emphasizes the centrality the artist intended to restore to them as opposed to the condition of subalternity to which humanity has relegated them. Represented through life-sized\u00a0sculptures\u00a0and\u00a0bas-reliefs, the animals become\u00a0outright protagonists in the exhibition space as individuals endowed with their own psychology, and not as objects. At the same time,\u00a0Ortisei\u00a0presents a\u00a0selection of works in which the relationship between humans and animals is constantly re-examined, thanks to a narrative dimension that draws on myth, fairy tale, and legend. Depictions of stories that tell of moments of peaceful coexistence and harmony, in which humans and animals inhabit the Earth in a condition of absolute equality, will prevail.\u00a0 <\/p>\n\n\n\n<p class=\"has-medium-font-size\">Accompanying the exhibitions is a\u00a0paperback\u00a0published by\u00a0Mousse Publishing\u00a0featuring English, Italian, Arabic, and Ladino-speaking audiences the\u00a0fables\u00a0originally written in German by May Saeed. Illustrated with a selection of drawings on paper by the artist, the introduction is by Lorenzo Giusti.<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<section class=\"wp-block-evidenzio-columns boxed_section has-background\" style=\"background-color:#c9c7cf\"><div class=\"container\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-3\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"416\" height=\"420\" src=\"https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/Screenshot-2024-05-07-alle-21.40.03.png\" alt=\"\" class=\"wp-image-490\" srcset=\"https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/Screenshot-2024-05-07-alle-21.40.03.png 416w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/Screenshot-2024-05-07-alle-21.40.03-297x300.png 297w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/Screenshot-2024-05-07-alle-21.40.03-150x150.png 150w\" sizes=\"auto, (max-width: 416px) 100vw, 416px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-3\">\n<p class=\"has-text-align-center has-small-font-size\">Biographical Notes<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-5\">\n<p class=\"has-small-font-size\">Lin May Saeed was born in 1973 in W\u00fcrzburg, Germany and grew up in Wiesbaden a mid-sized city near Frankfurt\/Main. She had a Jewish-German family background on her mother\u2019s side and an Iraqi family background on her father\u2019s side. Saeed studied sculpture at the D\u00fcsseldorf Art Academy under Luise Kimme and Tony Cragg from 1995 to 2001. It was there that she became interested in animal rights, studied the animal rights philosopher Tom Regan and took part in corresponding actions (e.g. protests against the fur trade). She has lived vegan ever since. After moving from D\u00fcsseldorf to Berlin, she founded the exhibition space Center in Berlin-Tiergarten in 2003, which she ran until 2009. From 2008 to 2010, Lin May Saeed taught sculpture at the D\u00fcsseldorf Art Academy. Lin May Saeed passed away on August 30, 2023 as a result of a brain tumor at the age of 50, two weeks before the opening of her solo exhibition at the Georg Kolbe Museum in Berlin.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Solo shows (selection): (2023)&nbsp;<em>In Paradise, the Snow falls Slowly<\/em>, Georg Kolbe Museum, Berlin; Chris Sharp Gallery, Los Angeles; (2021)&nbsp;<em>Rami<\/em>, Jacky Strenz, Frankfurt\/Main; (2020)&nbsp;<em>Arrival of the Animals<\/em>, The Clark, Williamstown; (2019)&nbsp;<em>Girl with Cat<\/em>, Jacky Strenz, Frankfurt\/Main;&nbsp;<em>Lin May Saeed &amp; Max Brand<\/em>, What Pipeline, Detroit; (2028)&nbsp;<em>Biene<\/em>, Studio Voltaire, London; (2017)&nbsp;<em>Djamil<\/em>, Lulu, Mexico City. Group shows (selection): (2023)&nbsp;<em>Der K\u00f6nig ist tot, lang lebe die K\u00f6nigin<\/em>, Museum Frieder Burda, Baden-Baden;&nbsp;<em>Spark Birds<\/em>, Kasteel Wijlre, Wijlre; (2021)&nbsp;<em>Eurasia<\/em>, MHKA Antwerp; Amsterdam Sculpture Biennale;&nbsp;<em>Espressioni<\/em>, Museo Castello di Rivoli;&nbsp;<em>La Mer Imaginaire<\/em>, Fondation Carmignac, Porquerolles; (2020)&nbsp;<em>Crack Up \u2013 Crack Down<\/em>, Ujazdowski Castle Centre for Contemporary Art, Warsaw; (2019)&nbsp;<em>City Prince\/sses<\/em>, Palais de Tokyo, Paris; (2018)&nbsp;<em>Wilderness<\/em>, Schirn Kunsthalle Frankfurt;&nbsp;<em>Class Reunion \u2013 Works from the Gaby and Wilhelm Sch\u00fcrmann Collection<\/em>, mumok, Vienna;&nbsp;<em>Metamorphosis<\/em>, Museo Castello di Rivoli; (2017)&nbsp;<em>La fin le Babylone<\/em>, K\u00f6lnSkulptur#9, Cologne; (2016) 9.&nbsp;Berlin Biennale (2016).<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>GAMeC, Bergamo<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[24],"tags":[25],"class_list":["post-1172","post","type-post","status-publish","format-standard","hentry","category-events","tag-city"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - 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