{"id":1157,"date":"2024-05-15T09:37:59","date_gmt":"2024-05-15T07:37:59","guid":{"rendered":"https:\/\/pensarecomeunamontagna.gamec.it\/mercedes-azpilicueta\/"},"modified":"2024-07-30T17:58:20","modified_gmt":"2024-07-30T15:58:20","slug":"mercedes-azpilicueta","status":"publish","type":"post","link":"https:\/\/pensarecomeunamontagna.gamec.it\/en\/mercedes-azpilicueta\/","title":{"rendered":"Mercedes Azpilicueta"},"content":{"rendered":"\n<section class=\"wp-block-evidenzio-columns\"><div class=\"container-fluid py-lg-5\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-8\">\n<p class=\"has-large-font-size\">On the occasion of the first cycle of events of&nbsp;<em>Thinking Like a Mountain<\/em>, the Argentinean artist&nbsp;Mercedes Azpilicueta&nbsp;(La Plata, 1981) presented&nbsp;<em>Que este mundo permanezca<\/em>&nbsp;[\u201cMay This World Remain\u201d]: a&nbsp;new participatory performance&nbsp;dedicated to the theme of the rediscovery of natural spaces, the focus of GAMeC\u2019s biennial program.<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<p><\/p>\n\n\n\n<section class=\"wp-block-evidenzio-columns\"><div class=\"container-fluid py-3\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-2\"><\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-8\">\n<p class=\"has-medium-font-size\">The performative action took place at the&nbsp;Oasi della biodiversit\u00e0&nbsp;(Biodiversity Reserve)&nbsp;in Brembate, a naturalistic area&nbsp;at the heart of an environmental regeneration and recovery project&nbsp;deployed by the&nbsp;Nuova Demi&nbsp;company following the cessation of gravel and sand-quarrying activities. The company now carries out major conservation activities, such as water quality control, as well as study and research project, such as monitoring the bird species that have returned to populate the area.<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<section class=\"wp-block-evidenzio-columns\"><div class=\"container-fluid py-3\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-2\"><\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-8\">\n<p>For the conception of the performance, developed as part of the framework of the third edition of the&nbsp;<em>ON AIR \u2013 Argentina-Italy Art Residency<\/em>&nbsp;project, stemming from collaboration between GAMeC and the Fundaci\u00f3n PROA in Buenos Aires, the artist was inspired by the peculiarity of this place, a quarry returned to nature, close to the Adda River, repopulated today by a great variety of plant and animal species. Here, the relationship between man and the environment finds a balance that the artist decided to investigate through performative action, featuring three birds of different species interpreted by three performers: Antonella Fittipaldi,&nbsp;who has already worked with Azpilicueta in the past,&nbsp;Nicola Forlani,&nbsp;and&nbsp;Aurora Rota, professional dancers and teachers at the Bergamo Art Academy.<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<section class=\"wp-block-evidenzio-columns\"><div class=\"container-fluid py-2 py-lg-2\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-5\"><\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-7\">\n<p class=\"has-large-font-size\">As is often the case in the artist\u2019s practice,&nbsp;the performance has been planned collectively, through meetings between the artist and the dancers, who will have the opportunity to experience the relationship with one another and with the environment with which they interact.&nbsp;<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<section class=\"wp-block-evidenzio-columns\"><div class=\"container-fluid py-3\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-2\"><\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-8\">\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\">The action has been structured in several stages, tracing a path around the stretch of water at the center of the Oasis.&nbsp;Each stage took place in a different natural setting: from reeds to meadows, from woods to bird-nesting areas, allowing spectators to enter the Oasis and perceive the many aspects to it.<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<p><\/p>\n\n\n\n<section class=\"wp-block-evidenzio-columns boxed_section has-background\" style=\"background-color:#f3b2ff\"><div class=\"container py-5 py-lg-5\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-1\"><\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-7\">\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\">The artist focused on the study of three birds that inhabit it: the&nbsp;kingfisher, with its intense blue feathers; the&nbsp;green woodpecker, a migratory bird that is unusual to find in these areas; and the&nbsp;hoopoe, characterized by its black, white, and orange feathers. Studying the behavior and \u201cpersonality\u201d of the three birds,&nbsp;Azpilicueta prepared a \u201cscript\u201d for each of them and shared it with the performers, who will take their cue from these traces to develop their own personal interpretation.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-5\"><\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-6\">\n<p class=\"has-medium-font-size\">The&nbsp;colors&nbsp;of the plumage of the three birds have been the main element of the&nbsp;masks&nbsp;and&nbsp;cloaks&nbsp;that the artist has created especially for the occasion, together with costume designer Alberto Allegretti.&nbsp;Together with the gestures of the performers, they inspired positive feelings in the spectators, evoking the message that Azpilicueta intends to convey through her action:&nbsp;without wishing to evoke a romantic idea of nature, the three birds were the voices of the adaptive capacity of their species.&nbsp;As creatures that have had to face numerous changes and adverse situations such as industrialization, which has altered the face of the landscape, and develop new ways of living in the environment, they seem to come from another era to speak of&nbsp;possibilities, potential and transformations. Inspired by the vicissitudes of the Oasis and the species that inhabit it,&nbsp;Azpilicueta speaks of possible worlds and futures, in which alternatives to the degradation of nature may be put into practice.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<section class=\"wp-block-evidenzio-columns boxed_section has-background\" style=\"background-color:#c9c7cf\"><div class=\"container\"><div class=\"row\">\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-3\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"834\" height=\"836\" src=\"https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/gamec_PCUM_Mercedes-Azpilicueta.jpg\" alt=\"\" class=\"wp-image-581\" srcset=\"https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/gamec_PCUM_Mercedes-Azpilicueta.jpg 834w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/gamec_PCUM_Mercedes-Azpilicueta-300x300.jpg 300w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/gamec_PCUM_Mercedes-Azpilicueta-150x150.jpg 150w, https:\/\/pensarecomeunamontagna.gamec.it\/wp-content\/uploads\/2024\/05\/gamec_PCUM_Mercedes-Azpilicueta-768x770.jpg 768w\" sizes=\"auto, (max-width: 834px) 100vw, 834px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-3\">\n<p class=\"has-text-align-center has-small-font-size\">Biographical Notes<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-evidenzio-column col-12 col-md-12 col-lg-5\">\n<p class=\"has-small-font-size\">Visual artist and performer from Buenos Aires, Mercedes Azpilicueta (La Plata, 1981) lives and works in Amsterdam. She habitually collaborates with archives, libraries, historians, dancers, textile designers, and urban planners to bring to life her layered installations, in which tapestries, free-standing sculptures, videos, objects and salvaged materials are combined with architectural elements. Azpilicueta\u2019s works traverse history and geography to give voice to unheard and dissident figures from the past, stories, myths, and legends through which to explore the affective qualities and political dimension of language and voice, the processes underlying the formation of cultural memory and the construction of gender and subjectivity. Her work is manifested in performative and sculptural installations, inspired by speculative and fictional Latino literature, Neo-Baroque art history, contemporary popular culture, and new materialism theory. Through collaborative and interdisciplinary practices, she combines \u201cprecarious,\u201d craft-based techniques\u2014historically associated with domestic obsolete knowledge\u2014with industrialized productions.<\/p>\n<\/div>\n<\/div><\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>GAMeC, Bergamo<\/p>\n","protected":false},"author":1,"featured_media":578,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[29,24],"tags":[22],"class_list":["post-1157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-events","tag-territory"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mercedes Azpilicueta - Pensare come una montagna<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pensarecomeunamontagna.gamec.it\/mercedes-azpilicueta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mercedes Azpilicueta - 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